I'm fascinatd by Silliman's last 2 posts abt early work. to think that Rae Armantrout had a poem in Weekly Reader when she was 7!
a late bloomer I was already 12 when I wrote this:
Blossoms, Blossoms, oh lovely Blossoms,
An Artist's Pure Delight;
With Butterflies around.
Lovely at night;
In the Pale Moonlight,
The Bee's gone away;
A perfect setting,
On a perfect day.
was this my first poem? I don't know. but it is the earliest to survive. was it the poem that I carvd into the branch of a willow tree in the front yard? I don't know that either.
if someone were to ask me my earliest influence I'd not hesitate in naming Ferlinghetti. but this "poem" suggests that Emily Dickinson came earlier. I have terribly few poems from the apprentice period (1955-60). I startd publishing poems in 1962.
is all the early work bad? it's easy for a quick yes. but as a survivor who's still at it I must say that even some of the worst of those are instructional to me. I see the me I was -- both person & writer. I detect the changes progress made but also I retain some awe that I was creating with words before becoming a teenager.
1 comment:
It seems that from an early age, you were destined to become both a poet and an archivist...
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