24 June 2019

Hippodrome Theater (1959)

Lana Turner
at a premiere
in Cleveland
floats
on white ostrich feathers   

18 June 2019

Walt's leaves

on the back cover of the anthology I'm so happy to be in -- Lovejets: queer male poets on 200 years of Walt Whitman -- is this quote from Richard Blanco:

“This wide and impressive range of poetry echoing the spirit of Walt Whitman and his literary forebears demonstrates the essential embrace of community that we’ve always needed to feel whole with ourselves and among others, especially now during these tumultuous times. Celebrating what had to be largely hidden from view during Whitman’s day, the living queer male poets who grace the pages trumpet a glorious and unforgettable spectacle of passion and compassion.” 

going thru photo files tonite I found this. it's Blanco reading his poem at the second Obama inauguration. I'd forgotten that for that moment I put my copy of Leaves of Grass beneath the streaming image.


09 June 2019

a collaboration

a while ago I bought a small button piece by Emeline Tate at Janssen Art Space. then in my regular gallery going I met her. she came to my first book anniversary celebration. after that she suggestd a collaboration. this is what I wrote for her:

LINES FOR EMELINE

1
buttoning silence
lets words
come out to play

2
when white is witty
pink shrinks

3
let us know
how letters hurt

4
filling a square
with smiles
is
practice for paradise

5
a sloth got loose
in a library
& ate so many words
it shat poems

then she got to work using 3 of the little poems. & last nite they made their debuts on the Janssen walls.

(photo by Marconi Calindas)




I have always loved working with artists & photographers & choreographers & any other creative person who suggests such an adventure.


with the artist & a little piece she made for me

02 June 2019

"Kiss My Glass"

Selen Korkut is a Facebook friend who lives in Istanbul. on her last visit to the States she went to Hollywood Forever where she kissd my glass. happily she took this photograph.




you can almost see her reflection but you can clearly see lip imprints. this thrills me.

when she messaged me abt it she told me that preparing one's burial spot before death was "odd for my part of the world." my response: "yes it's odd that my final resting place is already on view but since I paid for it I thot why not put stuff in it now & enjoy it before I move in."

having been able to stage my niche has been comforting. I know that someday my physical remains will share eternal space with some of my literary remains. also I'm delightd that the Century Dimes are there for forever. that piece was literally touchd by so many loved ones over its decade. so it's as if the DNA of some of my favorite people will be with me forever.

& then the artist in me is happy that I've turnd this whole thing into an enduring art work. I've already heard from 2 strangers who love it. & apparently the imprint of lips has indeed begun. how special that I'm still here to appreciate the response.




27 May 2019

"Femme Fatale"

in 2011 a Dutch documentary filmmaker interviewd me abt Jetta Goudal. we were in the backyard of my friend Billy Berger in Culver City.  I often wonderd what became of that. I was searching for something else today & found this clip for "Diva."

later I did some more searching & discoverd the entire film online but with the title "The Woman Nobody Knows."












the director is Erik Brouwer. working the camera is his wife Do.

28 April 2019

loyalty

sooooooo.... I went to an opening last nite. one of the artists showing— whose openings I always attend — came up to me & sd he was sorry to miss my event. I lookd at him sternly   put my finger on his nose & sd “shame on you.” he was so startled he cdn’t speak.

I’m too old to be polite.